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Don Arden RIP

Don Arden, legendary rock manager and father to Sharon Osbourne died last Saturday. He certainly has an assured place in Metal history through his (often gangsterish) management of Black Sabbath. As  the Jewish Chronicle makes clear, his Jewish roots helped to shape him (for better or worse):

SHARON Osbourne may not have been at her father’s funeral in North Manchester on Wednesday, but she has conveyed her condolences in a family announcement in the JC’s Social & Personal columns today.

Music impresario Don Arden, 81, died in Los Angeles on Saturday after a four-year battle with Alzheimer’s disease. Thirty family and friends attended the funeral at Agecroft Cemetery in Salford.

Although Mr Arden had lived in America since 1977, his sister Eileen Somers told the JC that being buried in his home city was “according to his wishes and mine, and in consultation with Sharon”. His celebrity daughter had been expected to join the mourners, but, according to a source, “things had gone wrong” at the last minute.

She did, however, ask Mrs Somers —administrator of Manchester’s Higher Crumpsall Synagogue — to include her in the S&P death announcement, along with Ozzy, Jack and Kelly, the other stars of the hit TV show, The Osbournes.

Born Harry Levy, Don Arden started out as a stand-up comic and singer. He went on to become a showbiz agent and managed some of rock music’s biggest names, including Gene Vincent, the Small Faces, ELO and Black Sabbath. Known as the “Al Capone of pop”, he famously once dangled rival manager Robert Stigwood from a fourth-floor balcony after accusing him of trying to steal one of his acts.

Sharon Osbourne has said: “There was nothing unusual seeing my dad threatening someone, or brandishing a firearm.”

In 1982, he put Sharon in charge of Ozzy Osbourne, whom she later married. However, Sharon switched Ozzy from her father’s record company, Jet, to Epic Records, leading Arden to sue her for $1 million. A lengthy feud ensued, but they were reunited in 2002.

This week, she remembered him as “a maverick, a pioneer, a visionary, whose name will live forever in the chronicles of rock history.”

Mrs Somers told the JC that, when diagnosed with Alzheimer’s, the first thing he lost was his Hebrew. “He was in shul and couldn’t remember the davening. It was very upsetting. By the time he died, he could no longer walk or talk.”

He had been “a very good Jew in his heart” and had made donations to the Higher Crumpsall congregation, whose choir he had sung in as a child. He was training to be a chazan when army service intervened.

RIP Kelly Johnson

Just heard about the death of Kelly Johnson of Girlschool . I haven't listened to them for years but they were one of the first Metal bands I ever heard.

RIP

Baruch Ha Metal God Ha Emet

Persistence of Metal

The New Zealand magazine The Listener recently published a well-informed article on Metal's current 'renaissance'.  Okay, I admit that part of my reason for pointing it out is that I am quoted quite a bit in it, but nonetheless it is another interesting example of the growth of hipster Metal.

New review of my book

Cosmo Lee of the excellent Metal blog Invisible Oranges has written a very fair review of my book.
It's becoming clear that the consensus in the non-academic Metal world about my book is that it is a) somewhat dry but b) perceptive and critical.  So - no rave reviews but hopefully people will see it as a worthy contribution...

Klezmer Metal Mash-Up

Klezmer metal is kind of the last frontier of folk-metal. We seem to have all kind of weird and wonderful metal fusions these days and great bands like Finntroll and Korpiklaani are drawing on Baltic folk-styles that are pretty close to klezmer.  But there's been no one brave enough or interested enough to actually go ahead and try and fuse klezmer and metal - perhaps because the klezmer scene is very hip and progressive and such people don't often like metal.  Okay, okay John Zorn is a partial exception.

Anyway, I found on youtube this odd little experiment in mashing up metal and klezmer. It's a one off thing (conducted at some Seattle youth music project in March 2007) and doesn't work brilliantly but it's certainly interesting: