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In Honour of Aviad Cohen and Halloween

It's old news that not-very-good Jewish parody rapper 50 Sheckel had some kind of crisis 2/3 years ago and transformed himself into a 'Messianc Jew' ie Christian. He now produces evangelical dance /rap music under his real name Aviad Cohen.

Now I try to be charitable towards Jews who become Christian. But what really pushes my buttons is that when Jews become Christians they usually turn into the most idiotic kind of Christian.  They constantly bleat about 'Yeshua' (Jesus) as though using a Hebrew word makes it any less non-Jewish. What's more, Aviad Cohen sometimes talks about 'Jehovah' - how could anyone who knows anything about Judaism and Hebrew ever use the term? It's a bastardisation of yud-heh-vav-heh; the letter 'j' doesn't even exist in Hebrew.

Anyway, Cohen is now campaigning against Harry Potter, Phillip Pulman, most 'secular' music and - of course - Halloween. He's asking people to send in examples of these works of the devil which he will 'destroy' and replace with copies of his CD 'Hooked On The Truth'. 

Aviad listen up: WITH OUR HISTORY, NO JEW SHOULD EVER BURN/DESTROY BOOKS!

Anyway, in celebration of Halloween, I give you Aviad's polemic against the festival:

Download Magic-Wands-And-Little-Spells.mp3



Glam Rock vs Feminist Extreme Metal

In the finest tradition of this blog, I only just watched the BBC Singing With The Enemy programme of a couple of weeks ago. The programme is a fairly contrived reality show 'experiment' in which two groups with very different styles attempt to collaborate together and record a song. Episode 4 saw Sleaze/Glam Rockers Lethal Fixx attempt to collaborate with all-girl feminist Death/Doom Metal band Severed Heaven.

What was interesting was partially the existence of Severed Heaven themselves - it's always great to see all-girl Extreme Metal bands (sorry if that sounds patronising but I really mean it) as they're so thin on the ground. But the predictable clashes between the 2 groups showed off the massive distance between two extremes in rock culture. Lethal Fixx try desparately hard to show their commitment to rebellion, sex, drugs and rock and roll. Although the musical snippets suggested they make a fun live band, it's all desparately contrived in a Towers Of London type way. One of the guitarists admitted that Oasis was what made him take up the instrument. The singer had previously been in a Westlife cover band.

In contrast, Severed Heaven took their music incredibly seriously and were committed feminists. One of the band was seen reading Sylvia Plath. They were happy to take early nights and watch telly whilst the other band tried desparately to raise hell (they lived together for a week in the same house - in true reality TV style).  Although they lacked Lethal Fixx's stage presence and were perhaps were trying a bit too hard to be taken seriously (which is understandable given the sexism of the Metal scene) Severed Heaven made me proud to be into Extreme Metal.  Its musical radicalism seemed much more challenging than the old rock cliches, and in a way seriousness is itself a kind of radical pose.

Of course the programme followed the usual reality TV pattern. Initially Severed Heaven were repelled by Lethal Fixx's sexism, but gradually they warmed to each other and came up with a semi-reasonable song.

More on the prog here.

Jewish Rock Night (in Southend????)

Well here's something that's so odd-sounding it might just be true:

Sex,Jews & Rock n Roll at israHELLS!The Jewish Rock Club.Members only rock nights in Southend Essex....Lots of Jewish girls & guys shakina their tush's!

This from the Israhells myspace site. The guy doing it seems to have an ass obsession. He runs a company called Tushique selling ass-hugging rock-chick wear. Hardly progressive but the Jewish-Israeli angle gives it a kind of inspired lunacy. The Israhell myspace site gives vent to some wierd stream of consciousness rants such as:

Travel with us to israHELLS caves by the dead sea!In the underworld land of demons known as israHELL below the mountain of Masada.israHELL is ruled by the Queen Jezebel The rock chicks that live in the caves by the dead sea are called israHELLS Jezebels! The witch Jezebel is queen of israHELL,and invites Nephilim, heavenly beings who come to make love to israHELLS Jezebels at her new moon Sabbats!

Whoever this guy is he's developing a kind of mythology here : Judeao-Israeli-Porno-Rock-Metal-Occult-Kabbalah-Whatever. On the blog for the Tushique myspace page he gives a bit of a manifesto-cum-bio:

Jews have always rocked and been a big influence on punk & metal music.I have rocked since I was 13 in 1974.The first bands I saw were prog rock bands ELP & Pink Floyd in 1973/4 at Wembley areana.1974 was my Bar Mitzvah year.In 1975 I saw Bad Company and in 1976 everything changed when punk hit London.I was 15 and loved the energy of the music.I loved the Clash,The Damned,999,The Slits,The Stranglers and Siouxsie and the Banshees.Punk bands were individual and I would hang out in the Kings Road.I saw many great bands come to London up til 1982 including Killing Joke,The Southern Death Cult,Birthday Party,Anti Nowhere League,Cockney Rejects,Gloria Mundi to name a few.

In 1982 the punk scene was on its last legs and I had no job so went off to Israel to be a volunteer on a Kibbutz.It was Kibbutz Yiron on the Lebanon & Israel border.I spent 3 months there.In 1983 I went back to Kibbutz Mishmar haSharon near Netanya.I was 8 months in Israel.In 1987 I went back for a third time to Kibbutz Yahaim near Nahariya.

I have always been proud of my Jewish roots and combined my love of punk with it.I have a large tattoo of a wolf, which is the symbol of the tribe of Benjamin,our family name.

I love finding out which bands and DJ's are Jewish.I had the pleasure to meet DJ Neal Kaye of the soundhouse fame that launched Iron maiden.I met him at a pub in Edgware.He was the DJ at the first Donnington.

My fave Jewish artists are Joey Ramone,Lou Reed,David Le Roth,Rick Rubin,Mick Jones of the Clash,Richard Hell(b Myers),Gene Simmons(born Chiam Witz in haifa),NOFX,Peaches & Scott Ian.

If you are a Jewish rocker join us now.Rock is not just music, its an attitude.Sex Sex & Rock n Roll.I love sleazy rock like Motley Crue,Guns n Roses & Buckchery.

You may be a grade-A sexist but Metal Jew salutes you!!


Metal lullabies

Apparently someone's produced an album of Metallica songs as lullabies

Note perfect Nu Metal parody

Hipster Judaism - Hipster Metal

I've blogged before about so-called 'Hipster Metal' - the recent recognition of Metal as cool by various trend-setters. On the one hand it's exciting to have your tastes validated, on the other hand it's dangerous to seek critical approval. Plus of course, cool turns easily into 'last year's thing'.

Anyway, there's interesting parallels to be made between Hipster Metal and Hipster Judaism. Jewish cool is a recent phenomenon and it's welcome to the extent that the nerdy, geeky image of Judaism was really tiresome. Yet cool can be dangerous. You can't mortgage a centuries old civilization to brief moments of hipsterdom.

There's a couple of good pieces critical of cool Judaism here.

Nazi Death Metal Art Gallery Vandalism

From the New York Times (October 9 - I'm a little behind the times):

A grainy video of four masked vandals running through an art gallery in Sweden, smashing sexually explicit photographs with crowbars and axes to the strain of thundering death-metal music, was posted on YouTube Friday night.

This was no joke or acting stunt. It was what actually happened on a quiet Friday afternoon in Lund, a small university town in southern Sweden where “The History of Sex,” an exhibition of photographs by the New York artist Andres Serrano, had opened two weeks earlier. [read rest of the post here]

The assailants, who 'left behind leaflets reading, “Against decadence and for a healthier culture.”' are suspected to be neo-Nazis.

The video is not on youtube any longer. I haven't heard about this anywhere else so I guess it's a bit of a mystery...


Beatles in Yiddish

Another world

Sometimes the twentieth century seems like a long time ago. I came across a couple of weird artefacts that highlight the gap between past and present.

First is a scan of a 1985 propaganda book called 'We Live in East Germany'. As the title suggests, the book is a collection of photos and mini autobiographies from a cross section of people living in East Germany. As these things go it's fairly muted (ie no overlong passages about the glories of Marxism). In fact, there's a strange entry from a rock musician from Berlin that seems almost downbeat about life in the socialist paradise. The title of his entry is 'we need a licence to play here', which is hardly effective propaganda for the English-speaking westerners to whom the book is aimed. He talks about having been influenced by The Police and having got into rock through watching West German TV. Interesting. I've always thought the most effective PR is that which tends towards the realistic and open (that's my argument against much of the pro-Israel PR campaign), but it's odd to see this tactic being used by the East German regime.

1582863460_a311508e53









The other weird thing I found was a Flintstones cigarette advert . Anachronistic beyond words and offensive on so many levels that further comment is redundant:

In Honour of Blog Action Day - Metal, Jews and the Environment

Okay, today is blog action day, in which bloggers around the world post on one subject – this year, the environment. I’ve been thinking of blogging on more serious issues so this is perhaps the moment to start. However, I want to keep the loose Metal/Jewish crossover theme going. After all, how many of the 14,000+ blogs registered for blog action day will take this angle? So here goes…

I’ve been intimately involved in both the Jewish world and the Metal world for many years now (admittedly more intensely in the former than the latter). Over the years a nagging concern about both worlds has been hanging around my brain; a concern that I’ve found hard to articulate till fairly recently. I suppose that this concern boils down to one phrase: what’s the point? What’s the point of Metal? What’s the point of Jewishness?

I have to immediately qualify this by saying that this nagging question has never undermined my love for both Metal and Jews/Jewishness/Judaism. Both are central to who I am and what I do. Of course that love can be ambivalent and I can be intensely critical of both Metal and Jews, but in my view ambivalence is the mark of an adult kind of love rather than a teenage infatuation.

The question ‘what’s the point?’ doesn’t stem from some existential crisis or a jaded lack of interest. Rather, it stems from the perilous gap that sometimes seems to open up between the macro-political concerns that I have and the messy details of my life in the Metal and Jewish worlds. I know that I rarely share it on this blog, but I am a very politically-minded person, a news junkie and almost obsessively concerned with the ‘big issues’. I try and bring these political concerns into my Metal life and into my Jewish life. My book tried to bring a political awareness into Metal, to relate the micro to the macro and my work in the Jewish community is increasingly about the politics of Jewish life.

It’s certainly true that Jews are in the eye of the storm in terms of global politics at the moment. The Metal world may not be of the same level of world-historical significance as the Jewish world but in its own way it has explored the possibilities and tensions of globalisation and the problematics of artistic practice in ways that are far from trivial.

Yet if you look at the everyday lives of most Jews and most Metallers, this wider significance often seems to disappear from view. The life of the more involved Metaller is one of a succession of mundane practices: buying or downloading music, listening to it, writing to other scenesters, rehearsing, recording, performing etc. The life of the involved Jew is also an intensely busy and organised one: praying, studying, socialising, volunteering etc. The question is how does the micro relate to the macro? Can we read off from this mass of practices a ‘higher’ rationale, an overarching theme, a wider significance? This question is perhaps most pressing in the Metal world. Is involvement in Metal fundamentally any different from, say, being involved in civil war re-enacting societies or the rotary club? Insofar as Metal has a unifying ideology, its answer is clearly ‘yes’. In my book I argue passionately that the Metal scene (or the Extreme Metal scene at least) offers an important and challenging set of practices and aesthetics (I’m not going to summarise my argument – buy the book instead). Similarly, there are legions of Jewish thinkers, from orthodox theologians to secular ideologues, who argue that the involved Jewish life is one of meaning, significance and purpose. 

I don’t doubt that Metal and Judaism have incredible things to offer. The involved Metaller’s daily life may at times be mundane and boring, but the occasional gig can offer the possibilities of transcendence within the ecstasy of the communal. The Jew’s life may involve a potentially mind-numbing series of prohibitions and intricate routines, but it also offers the joys of Simchat Torah or Purim and the awe-inspiring majesty of Yom Kippur. But what I doubt is whether the ultimate meanings and purposes are experienced frequently or fully enough. The experiential ‘peaks’ that Metal and Judaism offer may provide regular if infrequent reminders of the benefits of staying involved, but how far does the magic and transcendence seep through into everyday life? For some, it probably does. But what I worry is that for many, perhaps most, the mass of mundane practices that make up the life of the involved Jew and the involved Metaller can provide a barrier to a wider understanding of life. I worry that Metal and Judaism can be a bulwark against the world, rather than a way of transforming it or seeing it in a new light.

And here we come to the environment. The challenge of thinking about the environment is making the leap between our imminent experience of it and a wider consideration of the planet itself. It’s not easy for humans to appreciate being part of the planet as a whole. Much easier to stay inside one’s present reality. So the environment as a whole too often appears an abstraction, something only notionally related to one’s own environment. The question for anyone concerned with the condition of the planet, is how to make our overarching reality as ‘earthlings’ (pace Bruno Latour) seem as imminent and pressing as the lives lived within a radius as short as that encompassed by our bodies’ sensory mechanisms.

My nagging ‘what’s the point?’ question arises when I consider the sheer magnitude of the questions we are facing as a species at this moment in time, and then see the sheer unbridled busyness of the lives that we involved Metallers and Jews lead. The more involved one seems to be in a particular religion, culture or music scene, the further the rest of existence seems to recede. Paradoxically this seems to be the case even for those who are most ideologically committed. Metallers have sung about the apocalypse as an artistic theme for years, but few seem to have much genuine concern or interest in the environment. I never cease to be amazed at the sheer lack of interest in environmental issues by the Jewish communal leadership in the

UK

.

This is not meant to be a ‘j’accuse’-type blog post. The person I am addressing the most is myself. I have spent my professional and much of my personal life busily engaged in the politics and poetics of Metal and of Judaism. I’ve managed some modest achievements and have a very limited degree of influence in both worlds. I’ve tried to retain a sense of the big picture. But when I look at the magnitude of the problems that the world faces as it tried to address the issues caused by global warming, I sometimes feel that everything I’ve done is basically trivial, rearranging deckchairs on the Titanic. The feeling soon passes. I remind myself that I can make a difference in a small way. But still the thought nags…

Global Metal film to be released

Exciting news:

“The organizers of the Bergen International Film Festival and Hole in the Sky have announced the world premier of the new documentary “Global Metal”, on Thursday, October 18 at 19.00 at Bergen Kino in Norway.

In “Global Metal”, directors Scot McFadyen and Sam Dunn — the makers of the acclaimed documentary “Metal: A Headbanger’s Journey” — set out to discover the impact of heavy metal on the world’s cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world’s emerging extreme music scenes — from Indonesian death metal to Chinese black metal to Iranian thrash metal. “Global Metal” reveals a worldwide community of metalheads who aren’t just absorbing metal from the West — they’re transforming it, creating a new form of cultural expression in societies dominated by conflict, corruption and mass consumption.

“Global Metal” is expected to include an interview with Israel’s ORPHANED LAND and live footage from ORPHANED LAND’s November 25, 2006 show at the Theatre Club in Tel-Aviv, Israel.

“Metal: A Headbanger’s Journey” explored metal’s impact and controversy over the past 35 years and featured interviews with Tony Iommi, Bruce Dickinson, Alice Cooper, Ronnie James Dio, SLAYER, Dee Snider, ARCH ENEMY, LAMB OF GOD, CANNIBAL CORPSE, EMPEROR and many more. The two-disc DVD set was released in North America in May 2006 and includes extended interviews, an interactive metal history chart, and a mini-doc on Norwegian black metal.

For more information, visit www.metalhistory.com.”

This press release was originally on Blabbermouth but I actually saw it reposted on the Metal Israel  blog. Aviva, the authoress of Metal Israel was interviewed for Global Metal (although I don't know if she actually made the cut to appear in the film). Having appeared in the first film and having been in touch with Sam Dunn ever since, I recommended Aviva to Sam as an interviewee. Unhappily Aviva and I fell out a while back which reminds me of the old joke about the two Jews stranded on a desert island who build 3 synagogues (one for me, one for him and one neither of us would be seen dead going in to). The only 2 blogs dealing with Metal and Jews and the authors can't get along...

 

Metal Hava Nagila

The ever helpful Jack at Teruah Blog alerted me to a video he found on youtube of the Polish band Rootwater's version of Hava Nagila. The intriguing thing about it is where the band are coming from. There's some Polish and Hebrew lyrics added to the original (I couldn't quite make out the Hebrew and I don't understand Polish anyway). The video also appears to use holocaust-era clips. Also their Myspace page advertises a compilation called 'The Legends of Hava Nagila remixes'.

I'm thinking of e-mailing Rottwater a short interview. In the meantime, enjoy the video:


I splashed out...

...on paying someone to design a banner for this site.  I quite like it.

I can't really justify what I spent on it - I am still only getting 20-30 hits per day. Still, I've been blogging for over 2 and a half years now and it's nice to have a spring clean now and then.

I've also been mulling over whether to start blogging about a range of more serious issues. I started Metal Jew as a low stress exercise but maybe now's the time to up the ante a little...