Israeli troops play with popular music in Hebron

During my time doing research on the Israeli metal scene in 1998 I heard an interesting story: Apparently an Israeli metal fan was doing his military service in an undercover unit in Hebron. Every day he was woken up early by the call to prayer from a nearby minaret. So he snuk into the mosque and replaced the tape of the call to prayer with one of Sepultura's 'Beneath the Remains' and the next morning Hebron was awoken by death metal.

Now this story was never corroborated so it's possible that it's some kind of urban myth. But, assuming it is true, it raises some thought-provoking questions about the politics of metal. On the one hand, the story highlights the oppressive nature of the occupation - the ability of Israeli soldiers to create mayhem at will. You can hear echoes in this story of how music has been used in military oppression and torture in the Iraq war and indeed other wars. On the other hand, you can read the story as a kind of nihilistic form of resistance at the insanity of the religion-stoked war between Israelis and Palestinians. Let's not forget that the militant settlers of Hebron, whom the IDF is protecting, are hardly metal fans. Israeli conscripts do not stop being metal fans once they join up and the story provides a hint of the complex ways in which a love of metal can both reinforce a kind of imperialism and stoke a kind of disorder that undermines military discipline in potentially subversive ways. As ever, metal is an ambivalent presence within 'real world' politics.

This story has been on my mind again due to the viral circulation of this video, made by an IDF unit in Hebron:

Unlike the Sepultura story, this prank does not appear to disturb the daily lives of Palestinians in Hebron. The dance seems to have taken place on a back street and the music itself looks like it's been overdubbed. But there's a similar kind of politics at work: the gap between the relative freedom of the IDF to 'play' in Hebron versus the lack of freedom of Palestinian residents is still stark. Again, the IDF soldiers seem to inhabit another world, not only from the Palestinians, but from the religious Jewish settlers in Hebron. The incongruity of Ke$ha's music in this context is even greater than Sepultura's (at least death metal is a sound with resonances of conflict) and perhaps this, together with the image of soldiers performing a choreographed dance while fully armed, gives the video a kind of whimsical quality that is sort of endearing.

Are some contexts too 'serious' for pranks to be appropriate? Can the pranks be read as cynical comments by soldiers stuck between two sets of fundamentalists? Does the lack of freedom of the Palestinians to engage in such pranks neccessarily mean that no one else should either?

I'm not sure what the answers are to these questions. What I do know is that they are worth taking seriously. As ever, popular music opens doors on the complexity of the political.

Comments

[Invisible Oranges]

Just because a military mission is inhuman doesn't mean that the soldiers that carry it out are likewise.

[Lisa]

My instinct is that these are soldiers, who are really just kids, either creating a break from a boring routine, or a diversion from a tense/stressful situation. I don't think their intent was to rub their freedom and power in the Palestinians' faces.

But that doesn't make it right or O.K.

These boys have both power and privilege - with no understanding or appreciation of it. And that is because they are born and raised in a system of power & privilege. This means that there's no sensitivity, compassion, or empathy for how their behaviors affect the "other:" the powerless minority. In I/P, this is exacerbated by militarism in which the "other" is necessarily dehumanized in order to be treated as the enemy. This is the inherent evil of Occupation.
"Transformation is only valid if it is carried out with the people, not for them. Liberation is like a childbirth, and a painful one. The person who emerges is a new person: no longer either oppressor or oppressed, but a person in the process of achieving freedom. It is only the oppressed who, by freeing themselves, can free their oppressors," Paulo Freire.

[JamesM]

There is something strange about this video: where is the music coming from? If it was overdubbed, how do the soldiers synchronise their dance? If not, why does the ambient sound cut out? Are they really playing Ke$ha in the street during the 'call to prayer'?!

Anyway, taking it at face value, you're right: it's touching - conscript army briefly asserting their common humanity through the medium of a YouTube meme (how else?) - until you start to think about the context...

[Keith Kahn-Harris]

Thanks for the comments!